Showing posts with label rock. Show all posts
Showing posts with label rock. Show all posts

Wednesday, December 9, 2020

Rock & Roll Review: John Lennon - GIMME SOME TRUTH: The Ultimate Remixes

Score: 85/100 
Release Date: October 9, 2020
Genre: Rock & Roll, Pop
Similar Artists: The Beatles, Bob Dylan, Neil Young

Forty years ago, tonight, December 8, 1980, I was a 17-year-old senior in high school when I heard the stunning, tragic news that John Lennon had been shot and killed in New York City. Anyone reading this review, old enough to remember that night, most likely remembers where they were when they heard the news. 

On October 9th of this year, what would have been Lennon’s 80th birthday, a compilation GIMME SOME TRUTH, produced by the love of John’s life, Yoko Ono was released. 


The overall song order is refreshing and thoughtful. Yoko’s selections bring some of Lennon’s best songs forward to speak to our times. As with many of The Beatles' songs, these timeless Lennon pieces continue to resonate deeply. “Instant Karma (We All Shine On)” kicks things off with its opening lines, “Instant Karma’s gonna get you/Gonna knock you right on the head,” and who hasn’t been knocked on the head this year?  The next track, “Cold Turkey”, recounts, in throaty visceral screams and groans, John’s withdrawal symptoms from his heroin addiction that he decided to overcome at home on his own. 


Two songs in and it is clear that Yoko, knowing John so well, has selected songs that sing of autobiography, but also songs that speak to the masses, for we all suffer and feel. For example, “Isolation,” from his first post-Beatle solo release Plastic Ono Band (1970) speaks to the separation we all feel at times and the different things we try to do to remedy it.  His political anthem, “Power to the People”, sees the early seedlings of his political stances with The Beatles with such songs as “Revolution” come to potent fruition. 


The next three songs are from his second post-Beatle release Imagine (1971) starting with the title track, a song that reached around the globe and back with its utopian imaginings of a better world with the line, “You may say I’m a dreamer/But I’m not the only one,”  which still moves many to keep the dream alive. “Jealous Guy” is another confessional song that speaks to his insecurities related to his deep love for Yoko. “Gimme Some Truth” sadly continues to resonate  in this age of fake news. I imagine this is what fueled Ono to use this song as the album title.


“#9 Dream” from Walls and Bridges (1974) is an ethereal walk, “through the heat whispered trees” in which Lennon wonders if it was real or a dream, “On a river of sound/Through the mirror go round, round/I thought I could feel/Music touching my soul.” One thing is for sure, as the songs on this compilation attest, John Lennon touched a lot of souls with his music and continues to. This very dreamy, cerebral song is followed by “Mind Games” from the album of the same name released in 1973. Lennon encourages all to keep exploring the endless frontiers of our mental landscapes.  “Whatever Gets You Through the Night,” also from Walls and Bridges, pardons all for whatever it takes to make it through the nocturnal challenges of being human. “Stand By Me” from Rock ‘N’ Roll (1975) is an excellent cover of the classic Ben E. King song.


At this point, the compilation moves into the poignant tracks that appeared on John and Yoko’s last album Double Fantasy (1980) which is loaded with so much cruel irony that it is still painful to listen to 40 years later. “(Just Like) Starting Over” shows Lennon and Ono emerging from a five-year hiatus from making music in which they focused on raising their son Sean, with a new resolve and appreciation, “Our life together/ Is so precious together/ We have grown/ We have grown.” Lennon is ready to be starting over. 


Exactly three weeks from its release on November 17, 1980, Lennon would be shot dead. “Beautiful Boy (Darling Boy)”, a love song to 5-year-old Sean adds to the cruel irony, “Every day in every way/It’s getting better and better…I can hardly wait/To see you come of age/But I guess we’ll both/Just have to be patient.” At the end of the song John sings, “Before you cross the street/Take my hand/Life is what happens to you/While you’re busy/Making other plans.” A message to us all.  Yes, Yoko clearly knew what she was doing in making these selections. “Watching The Wheels”, one of the finest songs John ever wrote, is Lennon’s declaration of “watching shadows on the wall” in which he sings, “I tell them there’s no hurry…/I’m just sitting here doing time” and that he “Just had to let it go.” Here, a healed and happier Lennon reintroduces himself to the world in a song full of the joy of hard-earned self-realization. 


“Grow Old With Me” released posthumously on Milk and Honey(1984) adds to the tongue in the ashtray cruelty where John sings, “Grow old along with me/The best is yet to be.” Yoko, being aware of the dark shadows of these selections ends the compilation with two uplifting, hopeful songs that leave us with the optimism that Lennon shared with the world despite all its problems starting with “Happy Xmas (War is Over)”, an annual rite of listening each December and “Give Peace A Chance”, Lennon’s ultimate anthem for peace and love in a world that is in need of both more than ever.


For a long time Lennon fan, this compilation is a freshly sorted feast and for a newcomer serves as an excellent introduction. 


- Richard Meadows | Guitar & Pen






Wednesday, November 25, 2020

Rock Review: Tom Morello - Comandante

Score: 84/100 
Release Date: October 30, 2020
Genre: Rock
Similar Artists: Slash, Dave Navarro, Jimi Hendrix, Adam Jones

Comandante is an onslaught.  The five-song EP, which includes a tribute to the late Eddie Van Halen, a Slash collaboration, and a cover of Jimi Hendrix’s Voodoo Chile, is a jump in the ocean in winter.  It’s a tumultuous 18-minute thrill ride stimulating all senses, leaving the listener rejuvenated and purged of any preconceived notions of who and what a guitar God should be.  

Master of the special effect, Morello bends feedback to his will.  His signature style comes through tapping and picking, leveraging the entire instrument and using it more as a channel for the sonic bending of electricity than the standard plug and play we hear in classic-rock songs of the past. The ripping, wailing sonic wave he produces on Comandante is well worth the ride.  

“Comandante” is Spanish for Commander, a rock rank Morello has earned and whose authority he takes out on his classic ‘Arm the Homeless’ Stratocaster hybrid electric guitar.  Is there rage? Yes, there is rage.  Rage that escapes not through the lyrics but in the spaces between the notes inside the blistering solos. 

It’s worth mentioning that due to the 2020 shutdown, the highly anticipated Rage Against the Machine reunion tour has been postponed to 2021.  Morello has been making the most of his time off the road. In addition to Comandante, he released a photo book entitled, Whatever It Takes.

All tolled, Comandante is an electric guitar-laden rock tour de force. On an EP, there are no shortcuts or mail-in tunes to fill the space.  Morello has delivered five great songs, which is quite considerate given the fact that it is rare to find five great songs on any full-length album. Simply put, Comandante commands your respect.

- Tom Endyke | Guitar & Pen



Sunday, November 22, 2020

Rock Review: Bruce Springsteen - Letter to You

Score: 85/100 
Release Date: October 23, 2020
Genre: Rock
Similar Artists: Tom Petty and the Heartbreakers, My Morning Jacket, John Mellencamp

Though one may expect the album to open with a rocker, Bruce reaches back to a blend of Nebraska (1982), The Ghost of Tom Joad (1995), and Devils and Dust (2005) in “One Minute You’re Here” calling up the existential dread we all carry, particularly in this time of Covid-19, “One minute you’re here/Next minute you’re not.” 


Bruce takes the distilled spirits of Born to Run (1975),  Darkness on the Edge of Town (1978) and The River (1980),  splashing droplets onto his Letter To You where Bruce wails that he, “Dug deep in my soul and signed my name True/And send it in my letter to you.” Once again, “the streets busted open and these two lanes can take us anywhere.” With the title track, a love letter to the members of The Castiles, Bruce's first band formed during his teen-age years, Bruce reaches out to his global fan base and beyond in a time of increased isolation and delivers a strong and potent album.


“Burnin’ Train” continues the existential vein as Springsteen wails, “Take me and shake me from/this mortal cage” harkening back to the strong religious imagery of “Adam Raised A Cain” where he exclaims, “Outside the endless rain/Darlin’ I’m blessed in your blood/And marked by Cain.”
 
“Rainmaker” falls from the sky with the potent remembrance of The Rising, which spoke to the post 9/11 world and much of what that fateful day wrought. Now, in a time of global pandemic, and ravaging wildfires, Springsteen calls out for a healing rain.
 
“Ghost” brings one back to Magic (2008), an album which found Bruce returning to his rocking roots after the acoustic Devils and Dust (2005) and folk covers rendered on We Shall Overcome: The Seeger Sessions (2006) and serves as a fitting sequel to "We Are Alive," the last track on Wrecking Ball (2012).  
 
“Candy”, from Darkness on the Edge of Town,  comes back in “Janey Needs A Shooter” as Bruce sings about a woman who has interactions with other men, from her doctor to priest, though not sexual but is truly understood by that one special man who truly understands her, “A shooter man who knows her style/The way that I know her style/A man who knows her style.”


When George Theis, the next to last surviving member of The Castiles passed away at 68, it caused Springsteen to pause and go into a deep reflection on the significance of those formative years. "Last Man Standing" came out of that reflection in which Bruce stands at the mic as the soul survivor and howls, "Rock of ages lift me somehow/Somewhere high and hard and loud/Somewhere deep into the heart of the crowd/I'm the last man standing now."


This album is a meditation upon Springsteen's entire career, from The Castiles to the E Street Band and what the creative process has been for him as he sings , "If you get it right/It has the power of prayer" in the soul filled,  rock and roll church attending "Power of Prayer."
 
“I’ll See You In My Dreams” could be to Clarence Clemons, Danny Federici, members of The Castiles  or anyone else who Bruce has lost along the way and serves as a fitting end to Letter To You, as once again, he writes a letter to those lost souls, “And though my soul feels like it’s been/split at the seams/I’ll see you in my dreams.” 
 
Overall, Letter to You is a little bit of a lot of everything Springsteen’s ever done.


Richard Meadows | Guitar & Pen







Saturday, October 17, 2020

Alt Rock Review: Thurston Moore - By The Fire

Score: 82/100 
Release Date: September 26, 2020
Genre: Alt-Rock, Experimental Rock
Similar Artists:  Stephen Malkmus, Bob Mould, Black Francis

Since the iconic NYC art/punk-rock band Sonic Youth broke up in 2011, frontman Thurston Moore has carried on in the most innovative and prolific fashion. His divorce with bandmate Kim Gordon triggered the divorce of the band. "Sonic Youth was a bond that existed between four of us. I have a tattoo that says 'SONIC LIFE,' and it's something that defines me forever. For me, it goes on and won't end." states Moore. 


By The Fire, the seventh 'solo' album from the Sonic Youth founder is the latest in his catalog of fine-tuned hard rock and some of his bravest and most vibrant work to date. A known revolutionary, no one should be surprised as to where Moore stands within today's politically tattered global state. The real surprise here is that between the sharp edges lies an inspiring message of optimism and hope.   


"Hashish" starts us off with sharp and innovative guitar stylings that segway into the groove of an enchanting melody. The drugs/love metaphor, while cliched, still hits home. "Feel the full effect of this dose. "It is in you girl, my repose."


Four of the nine tracks extend beyond ten minutes and feel a lot like a soundtrack not to a movie but to a place in time. Moore gives "Breath," "Siren," "Locomotives," and "Venus" room to breathe, and as such, they waft into your subconsciousness, providing the sonic texture to drive your most cogent inner thoughts into action. 


"Cantelope" is fascinating as it somehow blends late 60's psycho-rock with polished punk of the '90s. Iron Butterfly meets Soundgarden.  


There isn't much lyrically that stands out on this album with the slight exception of "Locomotives". "We take nothing, only liberties. And just one photo, if you please. Of the shapes of clouds we cannot keep." And "You on the platform, ravishing. Electric carriage wanderings. Locomotives kiss tenderly. We arrive foreign and free. Crossing borders we don't see." 

Overall, By The Fire is an enthralling progression from 2014's The Best Day and 2017's Rock & Roll Consciousness, all the while maintaining an identity of its own. Like Sonic Youth on stage in their prime, Moore stands strong with rock god poise, a lighthouse in a storm, while all the world spirals in chaos around him. If 'SONIC LIFE' defines Moore forever, we're all the better for it.  


- Tom Endyke | Guitar & Pen




Wednesday, May 27, 2020

Rock Review: Airborne Toxic Event - Hollywood Park

Score: 84/100
Release Date: May 22, 2020
Genre: Rock
Similar Artists:  Band of Horses, The National

Being a sucker for what I'll coin as
Literary Rock, I eagerly anticipated this latest Airborne Toxic Event release, Hollywood Park. The album is a soundtrack to founder Mikel Jollett's recently released memoir focusing on his experiences growing up in an infamous cult and subjected to a childhood filled with poverty, addiction, and emotional abuse. If the book is as powerful as the soundtrack, we're in for a great read.

It's worth noting that the band takes its name from a 1985 postmodern novel called White Noise, which centers around a chemical spill that forces the citizens to face their mortality and learn to appreciate the beauty of the natural world around them. 

 

The sonic experience involves a back-and-forth between propulsive anthems and subtle, evocative piano ballads. "Come on Out" is one of the album's real treasures. With a driving rhythm and deep, resonant vocals, it captures the thrill and angst of youth, all the while steering the listener boldly toward a new future.

 

As the album progresses, the songs slowly become stripped of their production and presumption. They become more personal. "The Common Touch" features Jollett in a folksy singsong number, which feels as if he's about to lighten the mood and then heads in a different direction.

 

With our heads soaked up in alcohol, one hand on a cigarette. I swear I still got some good moves left. I've been fifty-eight since I was twenty-three. I got sixty-nine problems but one ain't me.

 

In addition to "Come on Out," the standout track to me is "All These Engagements." The lyrics are rife with veiled allusions of deep and dark childhood trauma, which has followed the protagonist has carried with him all his life. It starts slow as a remembrance and rolls along forcefully building toward an ultimate crescendo of rage. "Common Touch" adds a folksy singalong number to the equation to lighten the mood.  

 

All in all, The longing, anger, and regret are palpable on Hollywood Park. Yet after a close listen, one feels a sense of earned wisdom, a that which does not kill me makes me stronger feeling. What Airborne Toxic Event delivers is a powerful collection of songs that blends rock music with a well-told coming of age story. The result is a highly gratifying listening experience.  

- Tom Endyke | Guitar & Pen