Showing posts with label alt-blues. Show all posts
Showing posts with label alt-blues. Show all posts

Tuesday, February 14, 2023

Alt Rock Review: Jerry Cantrell - Brighten

Score: 87/100 
Release Date: October 29, 2021
Genre: Alt-Rock, Country-Rock, Grunge, Blues
Similar Artists: Alice in Chains, Mark Lanegan, Thurston Moore

Former Alice in Chains guitarist releases his first solo work in 19 years, and the results are pleasantly compelling. An all-star cast of characters (Duff Mckagen, Gil Sharrone, and Greg Puciato) joined Cantrell in the studio, and Cantrell produced this remarkable work.

Cantrell describes the album as "a journey up through darkness to light." Brighten is filled with space; within that space, Cantrell reflects on the past two decades of healing and growth.  

The opening track, Atone, is one that Cantrell tells us has haunted him for twenty years. It is a soundscape that could serve as a soundtrack for a late-sixties spaghetti western. His grunge has mellowed with age and, as mixed with country and folk, creates something altogether new. 

Prism of Doubt, the most rhythmic and harmonious track, is a triumph of wills in which the singer recognizes his shortcomings, and no matter how his perspective has changed over the years, it is an unshakable prism of doubt that shapes his thoughts.  

The undertones of Brighten are that of a guilty man who feels he has gotten away with something and does not deserve his lot in life. The pathos is palpable and identifiable, yet the story is spun with threads of lessons learned and hope - as if stepping out into the sun after a long season of rain.  

When the dust of Cantrell's not-so-everyday life settles, we're treated to a surprisingly fitting finale, a cover of Elton John's "Goodbye." Here we hear Cantrell's voice in relative isolation, in this reviewer's opinion letting listeners know that what we have just experienced only comes around every few decades and don't expect anything more for quite some time. 
 
- Tom Endyke | Guitar & Pen



Sunday, May 10, 2020

Alt-Blues Review: Mark Lanegan - Straight Songs of Sorrow

Score: 83/100
Release Date: May 8, 2020
Genre: Alt-Blues, Grunge
Similar Artists:  Nick Cave, Leonard Cohen

Mark Lanegan comes right out and says it, so don't say you weren't warned. These are Straight Songs of Sorrow. The deep lyrics riding upon guttural resonance evokes a cathartic empathy for the state of the world and the people inhabiting it which is nothing short of beautiful. It may not be the artist's desired effect, but after I put my headphones down, I feel a whole lot better about my own personal lot in life and the future of humankind. I suppose in this respect one could call this a blues album, but the blood mixed in makes it more purple. 

Founder of grunge pioneers and extremely underrated Screaming Trees, Lanagan rides the tailwind of his recent soul-bearing memoir, Sing Backwards and Weep. His book details the youthful search for "decadence, depravity, anything, everything." In it, Lanagan reveals the guilt he feels to this day about the death of his friend, Kurt Cobain. The vocals are reminiscent of classic blues singers yet bent with a blend of dark Iggy Pop mixed with Leonard Cohen, and infused with a twist of Nick Cave.

The distressed sonic texture strikes a chord from which the lyrics jump off and strike a nerve with tales of heartache and sorrow and warning signs of the hard road ahead. The album begins with Lanegan warning listeners not to take his advice. "Suddenly, everything I ever had is on ice. All those who tried to help me scattered like mice. No, I wouldn't want to say."

"Bleed All Over," the song with the most velocity in the collection, still reverberates with a vengeful sorry. "Don't you say it's over… I never wanted to… I'm a bleed all over." On "Skeleton Key," Lannegan laments, "I'm ugly inside and out… Love me, why would you ever love me? No one has ever loved me yet, pretty baby."

On Straight Songs of Sorrow, slow and soulful guitar travels on a gravel road of heavy bass and subdued drums. In the driver's seat, Lanegan couldn't care less what his passengers think. Unburdened by obligation and pretension, the artist is free to express his true self and travel wherever he wants. That is precisely what Lanegan has done, and we're all the wiser for coming along for the ride.  

- Tom Endyke | Guitar & Pen



Spotify



Interview with Mark Lanegan