Showing posts with label prog-rock. Show all posts
Showing posts with label prog-rock. Show all posts

Saturday, February 6, 2021

Prog/Electronic Review: Steven Wilson - The Future Bites

Score: 73/100 
Release Date: January 29, 2021
Genre: Electronic, Prog-Rock
Similar Artists: Pineapple Thief, Moby

With his 6th studio album, former Porcupine Tree frontman and Prog Rock wonderboy turns sharply into the digital netherworld, challenging his most ardent followers' expectations. 

After Wilson's brilliant Hand Cannot Erase and To the Bone, it was anyone's guess as to which direction he'd turn. Yet, the deep and profound songs of alienation and marginalization backed by more digital underpinnings such as "Routine," "Perfect Life," and "Permanating" should have tipped us off.  The dangerous impact technology has in slowly stripping away our bodies' souls and transforming people into automatons continues to be the thread that runs through Wilson's most recent endeavors.   

Let's be clear, this is unlike anything you've ever heard from Wilson, and there are certain risks in steering down this path. It didn't bode well for Dennis DeYoung, and Styx with 1983's Kilroy was Here. "Mr. Roboto" remains the unfortunate example of how not to make this turn, and there are moments on this album that made me wonder if I was listening to a prog-rock mastermind or a failed Barry Gibb project from the late '80s.

Still, there's an argument to be made for suspending your disbelief, dispelling your preconceived notions, and giving this album a good honest listen.  In doing so, I was pleasantly surprised by several tracks. "12 Things I Forgot" is quintessential Wilson with confessional, soul-searing lyrics riding upon layers of acoustic guitar rhythm and piano. It would not be out of place on any Wilson or Porcupine Tree album. "Eminent Sleaze" is an innovative mix of genres and a song helped along by a strong chorus of backing female vocals, while " Follower" delivers poignant, timely lyrics upon smart and diverse sonic textures.

In full disclosure, Wilson's recent dissing of Eddie Van Halen's playing style after his death and his sudden shift in genres may have clouded my opinion. Once I accepted the man as the shape-shifting virtuoso he is, I was able to appreciate The Future Bites for the smart and complex achievement that it is.  

- Tom Endyke | Guitar & Pen


Wednesday, March 11, 2020

Prog/Glam Rock Review: Be Bop Deluxe - Modern Music Reissue

Score: 85
Release Date: December 6, 2019
Genre: rock, prog-rock, glam-rock
Similar Artists:  David Bowie, King Crimson, Roxy Music

Born out of the blues-based British rock scene of the late 1960s, Be-Bop Deluxe are part glam, part pop, part punk, and part prog. This limited five disk (4 CD/1 DVD) reissue of their 1976 classic Modern Music is a complete remaster from the original tapes. The box set contains unreleased out-takes, a BBC Radio concert performance, A TV session from BBC’s Old Grey Whistle Test, and a previously unreleased bootleg of a performance at the Riviera Theater in Chicago. These recordings were all captured during the height of the band’s creativity in 1976.

Founder Bill Nelson’s vocals conjure the earthiness of Billy Joel mixed with the gravitas of David Bowie. Lyrically, the album was inspired by the disillusionment Nelson felt toward the music business after touring the U.S. and a longing for home. Far ahead of their time, one doesn’t have to listen too carefully to hear the influence they had on post-punk English bands such as The Jam, XTC & Joy Division.

Disk 1 contains the remastered album in its entirety. “Kiss of Light” is chockfull of catchy hooks amplified by screaming guitar. It is but one side of the band as they switch gears with a softer, multi-textured beauty in “The Gold at the End of My Rainbow.” “Shine” is an extended seven-minute rock and funk jam initially released as the B side to “Kiss of Light” and this reviewer’s personal favorite.

Disk 2 is the real gem of the collection with “First Versions” and “New Stereo Mixes” of the entire album.  Those that stand out are: “The Bird Charmer’s Destiny” and “Forbidden Lovers.” Free from the sanitization of heavy production, these tracks are sharp, organic renditions, and the heart and soul of the collection. The “New Stereo Mixes” give the listener a feel for how alternative arrangements may have affected the final song.

Disk 3 gives the listener a taste of Modern Music live, with select tracks from a live show at the Hammersmith Odeon in London. “Blazing Apostles” is an extended twelve-minute sojourn where the progressive runs of Nelson’s concise guitar work are met with Simon Fox’s deep rhythms and Andrew Clark’s dancing piano riffs. This respite rings a bell in the harbor of your mind, clearing the fog and guiding you safely to shore.

While Disk 3 constrains itself to Modern Music, Disk 4 reaches back with music from the band’s first three albums, Axe Victim (1974), Futurama (1975), and Sunburst (1976) live from Riviera Theater in Chicago. Previously unreleased, the live guitar work of Bill Nelson on this disk is exceptional and will leave you wondering how he flew under the radar for so long and never reached the commercial success he so deserves. On this disk, you’ll hear the unrestrained sounds of the band breathing new life into their most popular hits at the time. 

Be-Bop Deluxe is a sound you’ll feel you’ve heard before, yet it is unlike anything you’ve heard before. Textures, even within the same songs, are interspersed to produce a profound effect. You’ll hear T-Rex-like rock riffs followed by Genesis-like playful explorations followed by Jeff Buckley-like resonant vocals. If you’re discovering Be-Bop Deluxe for the first time, you’ll be pleasantly surprised and feel as if you’ve unearthed a real gem.  If you’ve known them all along, this reissue, especially Disk 2 and 4, will take your appreciation to new heights.

- Tom Endyke | Guitar & Pen











Tuesday, January 28, 2020

Prog-Rock Review: King Crimson - In the Court of the Crimson King - 50th Anniversary Reissue


Score: 93
Genre: Progressive Rock
Release Date: October 25, 2019
Related Artists: Gentle Giant, Emerson, Lake & Palmer, YES

The beauty of the current wave of 50th Anniversary box set releases is that they are entering the golden age of modern rock music— the 1970's. If In the Court of the Crimson King foretells a string of influential 50th Anniversary reissues to follow, music fans have cause for celebration.  

In 1969, there was the crisp, airy resonance of vinyl. In the 1980s, Compact Discs sucked out all the air and antisepticised the sound. In the late 1990s, clarity and depth were eliminated altogether through compression to fit on portable digital devices and streaming services. Only recently have we begun to move in the opposite direction. More storage and bandwidth mean larger digital files with "less loss" and high-quality sound has come full-circle and is attainable once again. Herein lies the opportunity to bring these 50th Anniversary reissues back to life by leveraging modern technology to restore the sound to its organic, multi-dimensional form. 

This Blu-ray disc in this collection does just that, featuring all-new 5.1 & stereo mixes by Steven Wilson, approved by Robert Fripp in 24/96 resolution. Wilson not only remixed the original album; he also remixed much of the bonus material that he had mixed initially in 2009. This 4-disk set includes 3 CDs of the original remixed album by Steven Wilson plus instrumental versions, an expanded edition of the alternate album from the Blue-Ray, the original master edition of the 1969 mix, plus additional tracks. Suffice to say, the sound will overtake you and force you to surrender to its majesty.   

I distinctly remember the first time I heard this album. I bought it from a used record store based solely on the bizarre artwork of the Schizoid Man himself, which resembles a modern-day Edvard Munch Scream. On a warm spring day on the porch of my college apartment, I poured myself some Carlo Rossi wine from a jug, scraped enough resin for a decent bong-hit, dropped the needle, and surrendered. "Said the straight man to the late man, where have you been?" I was indeed the late man who had "been here and there and in-between." The album went immediately into heavy rotation and to this day, I can't listen to this seminal masterpiece without thinking back to that afternoon.

To think that In the Court of the Crimson King was King Crimson's debut album boggles the mind. Typically, bands need a few throwaways before finding their identity. King Crimson came out of the gates with unadulterated rawness and a sound much like truth, which hadn't been spoken very loudly until then. Not only did the music illuminate the chaos of the times, so did the lyrics. 1969 is when the walls of establishment crumbled at the hands of the counter-culture, songs such as "21st Century Schizoid Man" conveyed the angst of the dissociative and marginalized youth of the time. Images of burning politicians and starving children shed light on the mental and physical destruction of the Vietnam War and deepened the divide between generations. 

Standout tracks include the original studio instrumental take of "21st Century Schizoid Man," which has been completely remixed and re-imagined by David Singleton. It adds Greg Lake vocals from later studio sessions as well as Saxophone and guitar overdubs, creating a juggernaut of a song that infuses energy amidst bravado, leaving the listener's consciousness forever altered. The instrumental closing version of "The Court of the Crimson King" strips the vocals exposing deeper-layered intricacies of sound evoking an entirely different atmosphere. 

The dissection and reverse-engineering of this masterpiece provide a bounty of tracks for King Crimson and progressive music fans to sink their teeth into. "Epitaph," for instance, appears in five different forms. The "Isolated vocal, 2019 mix" is the most provocative as it isolates Greg Lake's vocals for three minutes and forty-four seconds before elevating the instrumental tracks to carry the song to its dramatic, yet gloomy conclusion. 

Over the years, the band's lineup has evolved with its sound. Their 2019 tour featured eight musicians, including three drummers. They remain highly influential, and their live shows have garnered the highest of accolades. This collection falls between the 40th Anniversary Series remixes a decade ago, the earlier 2019 remastered release, and the planned 2020 box set release (which will include all of this material). What it offers collectors and fans alike is a more affordable package of Steven Wilson's remixes plus rare bonus material. Most importantly, this thoughtfully mixed and packaged release serves as a 50th Anniversary tribute, a genuflection and a gift left at the altar in the Court of the Crimson King. 

- Tom Endyke | Guitar & Pen


This edition is unavailable on Spotify.
The following is a link to the 2014 release.